One of the questions that haunts my research is why is Austin Clarke’s writing so marginal within Canadian Literature? Clarke is not only a foundational Canadian author but also one of Canada’s most prolific. His first book, The Survivors of the Crossing, is contemporary with The Apprenticeship of Duddy Kravitz and The Double Hook and predates Northrop Frye’s infamous conclusion to Klinck’s Literary History of Canada. Clarke has, therefore, been concerned with the question of “Where is Here,” from a diasporic perspective, well before CanLit ever articulated that as the (supposedly) defining question. Yet despite being so prolific and engaged with the themes that centrally concern Canadian literature, there is very little critical writing on Clarke’s work.
A quick search of Google Scholar for Clarke reveals approximately 2100 results, many of which are completely irrelevant or only marginally related to Clarke’s work. Contrast this with the nearly 2000 results generated by searching for “Sheila Watson Double Hook.” Similar searches for Mordecai Richler and Hugh MacLennan reveal 3,000 and 4,360 results respectively. Searching for Margaret Atwood breaks the internet.